On street photography and behavior.

I also live and shoot in Seattle and have done for 12 years. Seattle is possibly one of the most photographer friendly cities outside of NYC. It is also one of the best places I’ve worked for the most incredible light which lasts for 5 months of the year, and is peaking July to October.

Seattleites are pretty reserved and have become used to photographers, when I first started here there was about 3 or 4 regular downtown street photographers and two more who were both mail delivery people. By about 2010 there was about 15 regulars and now I don’t know.

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My behavior on the street is that I walk to my spots with my gear on full view, and I’ll typically scan the scene for a few minutes and then as things appear I will shoot. I’ve recently been doing a lot more video work which involves a tripod and two lenses. I’ve had 2 people this summer stop and ask what I’m doing.

I basically go into a scene with an intent and respectful command, and I will just start working like there was nobody there at all. I’m an exceptionally shy person who has to bring up my reserves of confidence to actually do this at all, and it is even harder when someone stops to ask, but I can do that now and I do it very well. I made my introductions with beat cops, and explained what Im doing by making a half page flyer and handing it out after an introduction, along with my ID. Now they know that I’m there doing my thing, and if I ever get grief from anyone they already have a little background on me upfront.

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Very very rarely will someone get huffy about having their picture taken (and usually people get upset if they think they have been singled out) and if so Ill stop, if Im wearing sunglasses, Ill take them off make eye contact and offer to shake their hand and explain that Im an artist and invite them to see what I’m doing. I’ll offer them a business card, a nice high quality card that says, yes I’m serious about this work.

I believe that if I’m going to ‘use’ people as my characters models whatever, then they have a right to know what I’m doing and invite them to be involved with viewing the work. I offer them cards most take them and I very very rarely hear from anyone afterwards, however, I do make a big deal about them going to the sites and looking at the work, to educate them on my ‘vision’ and what I’m trying to achieve.

8186d-13129286_1678364745757239_1961994206_nBasically if you treat everyone that you are shooting, like they are gods, and that you wouldnt, or couldnt, be there, to do what you do, if it wasn’t for them, and you tell them that, then they will have a radically different attitude towards you next time. And it gets passed on to their friends also.
I always give my name first, if there’s a particularly warm vibe at the end of a conversation then you ask their name and offer to shake hands, and the next time they see you, you will get a nice smile or an amazing photograph.

A man climbed up to the top of the city center ornamental Sequoia, flanked by a small army of medics, police and fire services, some streets were blocked off for the 25 hour period.

A man climbed up to the top of the city center ornamental Sequoia, flanked by a small army of medics, police and fire services, some streets were blocked off for the 25 hour period.

 

At the end of the day nobody wants to feel as though they are being abused or exploited, and ultimately we as street photographers are exploiting them because they are there. But our job is to be emissaries and educators for our art.

Inner Strength On the Streets.

I love and respect all of the people I photograph on the streets. I see you, and I see you in the fragmented moments when you are off guard, unaware, and existing in the space between consciousness and biology.
To my heroes, my street loves; my respect, always.

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I simply cannot get over how robust and powerful this man is. So young and so beaten by life. He lost his leg, something to do with rotting bone from an infected wound.

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A man climbed up to the top of the city center ornamental Sequoia, flanked by a small army of medics, police and fire services, some streets were blocked off for the 25 hour period.

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Ive seen this gentleman, on a daily basis since I have been living here, 12 years. I have watched him slow down and degenerate from a feisty outspoken veteran in full military fatigues, to a feisty challenger of old age. He is the personification of defiance. I dont know him, but I love him for his strength.

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I love the parallel of primal mothering in a modern civic environment.

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She came up to me on the street and showed me the pictures she had taken with her phone. Quite astounding actually. A real sense of aesthetic, indicating a book far larger then its cover conveys.

Observations from a Small City on the Edge of a Crumbling Tectonic Economy..

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I’ve lived in Seattle since November 25th 2004, and in that time I have seen some slow changes, lost touch with a lot of people who moved on, disappeared left town etc. It’s really not until 2013 that the physical changes happened in the city that I could start to think I was living in a dynamic place.

I’ve lived in Seattle since November 25th 2004, and in that time I have seen some slow changes, lost touch with a lot of people who moved on, disappeared left town etc. It’s really not until 2013 that the physical changes happened in the city that I could start to think I was living in a dynamic place.

I came to the US with an expectations of grandeur.

I was really surprised when I got to New York, Boston, Chicago, Detroit and DC and was hit in the face with the fact that these were aging cities, and the sense that the people living there, really didn’t have much actual control or say over anything that went on, because democracy got in the way. Id assumed the US was bright shiny and new.
As a European, I had always grown up with places that were maintained and there was a real sense of local pride and everyone was involved in it.

Over the years and traveling around, I’ve seen enough of it to tell me that this country is definitely a continent in decline. A place strangled by conservative values, and disregard for everything except money.

The US is definitely not a place I want to grow old in, and yet, I don’t know where else there is now that hasn’t adopted the same capitalistic values, and with that the utterly destructive nature of that which is held in high regard: individualism.

 

 

Dublin

Marriage Equality Dublin, Ireland

May 22, sees the first referendum for marriage equality in Ireland. While most of the positivity towards it shows in the main cities of Cork and Dublin, opinion is divided in the regional cities and towns.

Family roots

My Aunt Eileen and my father discuss family roots. Skerries north Co. Dublin, Ireland.

Family roots.

My Aunt Eileen and my father discuss family roots. Skerries north Co. Dublin, Ireland.

Family Roots.

My Aunt Eileen and my father discuss family roots. Skerries north Co. Dublin, Ireland.

Family roots.

My Aunt Eileen and my father discuss family roots. Skerries north Co. Dublin, Ireland.

Intercity views, north Co. Dublin

North Co. Dublin from the Dublin to Dundalk train.

Generation Gap.

Generation gaps prevail, Dublin City, Ireland. While Ireland awakens from stern austerity measures put in place by preceding governments the generation gaps appear as many of the immigrants from ireland came back in the mid 2000’s left again during the economic downturn, the economic migrants, many from former eastern bloc states the up the slack.

Cafe Doggy

The dog is part of the family.

Cafe Doggy

Im having a Latte, what would you like?

Yellow man

Retake on an old classic.

The Gull Boy

“They come down from the Pheno” Referring to the Phoenix Park, at one stage Europe’s largest city park. Seagulls plane on the strong winds which funnel up the river Liffey. Dan Kavanagh stands on the Millennium Footbridge linking Temple Bar to Ormond Quay, commanding a flock of majestic gulls, with chunks of biscuit, like a scene from Irish mythology.

The Gull Boy

“They come down from the Pheno” Referring to the Phoenix Park, at one stage Europe’s largest city park. Seagulls plane on the strong winds which funnel up the river Liffey. Dan Kavanagh stands on the Millennium Footbridge linking Temple Bar to Ormond Quay, commanding a flock of majestic gulls, with chunks of biscuit, like a scene from Irish mythology.

To each their own.

To each their own..

Wha..?

Wha…?

Ireland

Henry Street, Dublin, Ireland

Got it at Guineys!

Guiney’s Dublin’s favorite everything store.

After School fun at blackrock baths. Dublin Ireland.

After School fun at blackrock baths. Dublin Ireland.

After School fun at blackrock baths. Dublin Ireland.

After School fun at blackrock baths. Dublin Ireland.

Old town Dún Laoghaire.

Old town Dún Laoghaire.

Old town Dún Laoghaire.

Old town Dún Laoghaire.

Bauler

Takin’ the Bauler for a walk. Old town Dún Laoghaire.

 

From the Archives..

I once had the bright idea of taking pictures of newspapers, periodically while on my travels.
In the US its easy to do this because of these street-side vending machines where the top half of the front page is displayed, and that basically all I need.

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To this day, I find it hard to swallow that the administration of the time were actually lying.

Dream Runner

© All Rights Reserved

The fleeting moments that spin into the corner of my eye in the white noise of town, to make them last, to stall the rush from now to then and seek the future.
Her tattoo says DREAM on her fingers constellations. Her bag is from a record store in Boston. Her face from another time, elegant and graceful, a gasp at the end.

See it here http://vimeo.com/devtank/dreamrunner

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