Inner Strength On the Streets.

I love and respect all of the people I photograph on the streets. I see you, and I see you in the fragmented moments when you are off guard, unaware, and existing in the space between consciousness and biology.
To my heroes, my street loves; my respect, always.

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I simply cannot get over how robust and powerful this man is. So young and so beaten by life. He lost his leg, something to do with rotting bone from an infected wound.
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A man climbed up to the top of the city center ornamental Sequoia, flanked by a small army of medics, police and fire services, some streets were blocked off for the 25 hour period.
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Ive seen this gentleman, on a daily basis since I have been living here, 12 years. I have watched him slow down and degenerate from a feisty outspoken veteran in full military fatigues, to a feisty challenger of old age. He is the personification of defiance. I dont know him, but I love him for his strength.
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I love the parallel of primal mothering in a modern civic environment.
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She came up to me on the street and showed me the pictures she had taken with her phone. Quite astounding actually. A real sense of aesthetic, indicating a book far larger then its cover conveys.

Visual Acuity

Imagine yourself as a cinematographer, tasked with the job of making iconic scenes with your camera.
The producer is watching you closely, because you are the one who realizes the dream. You are under pressure to make the world wow to your brilliance.

You have to be conscious in the moment, conscious behind the camera, aware and awake to make opportunities for yourself and exploit them further.
Take your time, instead of making one image make 5 or 7. Move around, look at the place you are in, think dimensionally.
Watch the elements as they move, snap the moments as they occur, add your own control factors, manage the scene without interfering in it.

Know your lens, and know what the image will look like  you’ve taken it.

Be conscious in the viewfinder, even if it isn’t at your eye.

Shoot to complement the thoughts in your mind, not the other way around.

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Ernst Haas

In sorry to say that it’s only now, 25 years into my career, that I am becoming aware of Ernst Haas. The publicly available repertoire of the man’s photography is immense. His philosophies of remaining independent and never adhering to a dedicated style are self evident.

A quote from the Ernst Haas Estate website affirms to me, now 25 years on, that my personal belief and instinct were correct all along;

“Still, I don’t want to declare there are no highways of fruitful directions. In learning there are. Follow them, use them and forget them. Don’t park. Highways will get you there, but I tell you, don’t ever try to arrive. Arrival is the death of inspiration. Beware of direct inspiration. It leads too quickly to repititions of what inspired you. Beware of too much taste as it leads to sterility. Refine your senses through the great masters of music, painting, and poetry. In short, try indirect inspirations, and everything will come by itself.”

Be aware of forward inspiration, but reverse-engineer everything, think backwards and look for the defining characteristics and recurring foundations in everything. Everything else is just dressing. 

the legacy

“…the act of thinking thoroughly through a scene and preempting a moment to capture it, comes with experience. The experience shows when is the right moment to take the shot. Because the shot is a legacy of that decision…”

EyeCup for A7s

Just about the only frustration I have had with the A7s is the fact there is NO available eyecup for it. If I am hand-holding I prefer to shoot video with a camera to my eye for a few reasons. There is as of this time (April 2015) no commercially available eye-cups available for this amazing cinema camera..
So I made by repurposing commercially available parts.

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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.
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DIY Sony A7s Eye Cup design prototype.

I just watched an amazing scene in a movie

and then I wrote an email to a friend of mine.

Here are some pictures.

Afellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
A fellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
Afellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
A fellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
Afellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
A fellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
Afellow traveler in Varanasi. Her journey was similar to mine. Self reparation.
A fellow traveler in Varanasi. Her journey was similar to mine. Self reparation.

I want a key command

computer
I want a key command for all computers, all operating systems, which…, with a 3 finger key-command or gesture, allows me to open a specific app, use it and close it again with that same gesture.

I want a key command, for all computers & all operating systems. Which- with, a 3 finger key-command or a 3 finger gesture, allows me to open any app, use it and close it again with that same gesture.

Can that be designed?

I also want contextualized right-click in browsers.

Dream Runner

© All Rights Reserved

The fleeting moments that spin into the corner of my eye in the white noise of town, to make them last, to stall the rush from now to then and seek the future.
Her tattoo says DREAM on her fingers constellations. Her bag is from a record store in Boston. Her face from another time, elegant and graceful, a gasp at the end.

See it here http://vimeo.com/devtank/dreamrunner

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Think about your camera, think about your motivations..

I have been buying and selling gear for 20 years, and for a period worked at a store.

I take an interest in finance, especially the the still image markets.

What used to take 6 years to cycle now takes 6 months. 6 years was the unwritten agreement held by the manufacturers because in Europe and Japan 6 years was the effective tax write-off period independent businesses (Professional Photographers) could write off the cost of their gear to zero.

A decade ago that started to shift and speed up and it was mostly because of the booming economies of the western world and tax write-off periods didnt seem to matter as much anymore, because disposable incomes were higher in comparison to the cost of the cameras. Additionally, we were already a generation into prosumer digital cameras- the first three generations were solely in the realm of institutions and consortiums with the prices of cameras in $15-25,000 a camera which in todays money is about 22-32k a piece.

When Canon brought out the D30 -the first major selling consumer DSLR- the turn around on gear was 4 years. By the time the 20D happened it was two years, straddled between the Nikon models. Nowadays Cameras like the 5DmkIII and Nikon D800 are dinosaurs within two years, and in many ways they are out of date a year after they come out. They rely on an older age-group of buyers who were brought up thinking that the DSLR is the benchmark for quality, as do their clients.

I dropped out of DSLRs 4 years ago in preference for mirrorless and have never looked back. I have purchased only four new cameras in my life, the Eos 5, which started a trend for me, to buy three Enthusiast aka semi-pro bodies for the price of one pro body and getting the same level of value out of those three bodies as my buddies ere getting out of their $3x pro bodies.. the Second purchase was my personal step into digital cameras with a Canon G1, a premium level point and shoot. followed by some time later by a productive years work and a flush account, I got a Canon 10D, and shortly after that a new 1DmkII, a rash decision that I now regret. Three years ago I got a Fuji X-Pro1, I bought it new because I was in need of a new definitive look to my images and the Fuji sensor was where it was at. I wasted no time and pre-ordered sight unseen and still have it. I traded some older lenses for a second body and that camera is still valid today, though the market has dropped for resale, so these are resale losses.

The Sony A6000 is a milestone in the financial side of the mirrorless scene primarily because it is a definitive price tactical change which will effect the market around it as it breaks new ground and infringes on DSLR territory. Big sellers like the Fuji X100 will be dwarfed in sales numbers by the end of this year from the sales of the A6000.

The market is tiered by expectation and the belief from the consumer that the more you spend the longer the investment is, which is completely rubbish. When the Leica M8 came out it was an $8000 camera and everyone who bought it believed it was the camera they would take to their grave. The truth is, the best thinking is in the lower middle range of product: look at the tech in the marketplace and the price from top to bottom to the point and shoots, which are now dead from Cellphone infringement, and the best thing to spend your money on is the cameras like the NEX5, A6000, Xe2, GX1, etc anything under $1000 because it will be worth 60-65% of its street launch price within a year.

Because digital cameras are now being marketed alongside other technologies the two year trade-show epiphanies are getting shorter. Every year we have CES and every two years we have Photokina, and now theres NAB and numerous other smaller events which all bring new release dates closer together.

At the end of the day we buy these things to make pictures, and the quality of the pictures has got to a point which is way ahead of the flexibility of film in about 70% of applications. 35mm film for professional use is dead because digital is more flexible, so toy cameras rule the 35mm market, enthusiasts mop up out of date junk films and spit out hipster art disposable mementos. The race is for the 50mp point with 4k output which will eat into the medium format realm. In 4-6 years Sony and Canon will have 60-100mp cameras and that will be the end of all film and photography will have transitioned completely into digital. Remember, in 2004 when sony entered into negotiations with Minolta, they said that within ten years they would be camera manufacturer #1 or #2, they make all the sensors for everyone except Canon and Leica and some of the exotic medium & large format cameras.

It blows me away that in December 2013 Sony announced the A7 & A7r, and they weren’t on shelves until March and used prices were floating at $1600 and $2200 and in just the last 6 weeks you can now buy a new A7r for $1825 and a used A7 for $1100… those prices are going to fall again in September when Photokina happens, they will settle within 2 months Until January when CES show happens and the pro-deals happen, and then they will fall again. By the end of summer 2015 you will be able to buy a used A7 for $700……………………..

Amazing Environmental Audio from Maha Kumbh Mela

I’ve been back from India just over a year now, back living in the US and in that time its been a real struggle, both on a personal level and financially.
Looking back on that time, a half-year spent in India, thinking about it and thinking about how much I miss it, and yearn for the Utopian chaos to run through my veins once more.
I have edited my photography over and over trying to extract the essence of the experience. However the personal journey that India was to me, has obscured my objectivity, something that only time can distill.
I have started once again on the editing process, going back over the audio recordings I made, and in doing so, had an epiphany about the work. I realize that I have no choice but to go back to India, and capture more audio, this time with an expanded kit. And to dedicate much more time and effort into making quality environmental recordings.
Audio recordings offer a taste of reality that video and photography simply cannot touch. Where video has to be constructed to make a compelling presentation, and photography provides specificity, and depth, that depth is within just that contextual intimacy.
Audio offers a living reality of time based exploration. Audio treats the consciousness to a wide layered mental vision, one that the mind is intrinsically connected to, there is no learning to listen, whereas there is learning to read photographs.

This Location Sound during the Anup Jalota concert at Pilot Baba’s Ashram camp 2013 Maha Kumbh Mela, Sangam Allahabad, Uttar Pradesh India. I had decided to walk around the sector 9 area where the ashram was located, about 7 miles from the actual main bathing area.
You can hear all of the local sounds, and the far distant sounds of the millions (130,000,000 to be more accurate) of pilgrims who existed at the ‘city’. Headphones highly recommended. Sit back and enjoy the Mela as I did for thirteen minutes.