I shot this about a decade or more ago, a dull average nondescript day I had some things to do in town and I was rushing around, I saw this as I walked onto a busy pedestrian street. I made the shot and I dont remember consciously knowing why I made it because I had grown up in a conservative country which was on the cusp of rapid cultural and economic changes which were going to change everything in a massive way.
People like these, typically people who had no children of their own, (in many cases spinsters and bachelors who had been children during the war themselves) who protested abortion in a visually extreme manner before, who, one can only presume, had some compelling force the drive them to dedicate their lives and sanity to promoting such incredibly vile and repugnant imagery in a way as shock everyone young and old into their way of seeing their political standpoint.
As soon as the economy started to visually change the anti-abortionists disappeared from society but would return with a new younger generation as soon as the economy growth slowed.
Negativity begets negativity.
I remember this man trying to engage her on some philosophical hook and her response was tight lipped religious piety.
I don’t really show the pictures of the people that interest me the most because I don’t think I have the narrative to back it up in its own right yet, and flickr isn’t the forum for that work either, I’ve kind of dug myself into a hole there withe whole street and what I defined as the kind of street I wanted in Seattle Street and which has generally become accepted as an acceptable version of that decisive, contemplative, gag, style, which doesn’t really rely on any level of intellectual insight to understand or appreciate, the pictures of the people I am really drawn to are highly reliant on my audience being open to seeing something that they normally don’t even register and having their attention drawn to it, ..and so it’s been my belief that my Audience is infact not American at all.
See Street photography has become about shooting the oddities and the highlights of the everyday or at least that’s the premise; using the “everyday” as an excuse to make pictures of things that stand out of that “everyday” entity which really doesn’t mean what it is in that context anymore. Look at the London Street Photography festival as it stands now, at 3 years old, and all of the pictures have a basic sameness to them and a sensationalism to them which irritates me now.