I haven’t edited pictures in a long time. Like on a granular level, the way I used to.
I prefer to set up the camera to give me as close to what I want the final image to be*, and my workflow is set up for that pursuit of the final image, as close to what I want. I need to do it this way because I need to see in the camera the end result. This is basically me partially giving away some of my autonomy to the art, where I choose to work with in a set of parameters that are far inferior to my mind and my eye, where the idea originates. I’m editing now, on a granular level. I’m forced to engage with my work on a minute level once again, as I’m learning again.
2013.01.30 INDIA In transit.
Ah, necessity: the mother of invention: I’m on a train going from Bhopal to Garabja in Goa. The journey has now become my destination. The train I’m on is a sleeper car on a 28hr trip, its quite possibly the lcoolest thing I we er done in my life. I feel like a giddy child or a boyscout because its like what every kid dreams about. You jbare going somewhere and yet you are in bed and your room is rumbling and shaking and there are cool noises like the horn of the train like a distant foghorn on a foggy night, and then there’s the stuff outside, its night and you are going through uncharted black terrain but all you can see are the stars and occasional lights in the distance on a black horizon where black trees swish past a black sky. There no color. And then there are other trains passing by for a few seconds the sound is that unique sheering abound of wind compressed between two fast moving objects
Accented by the sounds of bogies on welded rail. All you want is to see another face like an inserted subliminal frame in a movie. The layers of sound low black soft heavy percussion of the underside of the train the bogies and thick gasket suspension play a warm comfortable song of affirmation and the rattle of loose metal brushing fingers against the creaking superstructure makes for a romantic symmetry of memory forming experiences…
Its a sleeper car so there is the whole part of making your bed with which is traditional bedding with laundered and pressed “12 Rose Bedroll for Southern Railways” white cotton sheets Wool Blanket and pillow that add another dimension on this new reality.
I had a fairly good sleep, a touch uncomfortable with the stuff in my pockets keeping me awake because I left my pants on. I am on a side bunk in a two tier carriage, which means on the left side there are four bunks head to window feet to corridor, and on the right there are two bunks aligned with the wall, I’m in the bottom one so I get a great view out the window while laying down.
I just woke up 7.30am stop in a mountain town called Kalyan apparently a lot of spaghetti westerns were filmed there and Bollywood. Certainly it has the looks.
Bahrddy Vartell is what the hawkers say when selling Bottled Water.