I never lived in this apartment, apart from one month in 2015 where I came back to Ireland with the intention of trying to get to know him again and to remind myself of who he was and where I came from.

Dublin, My father had fallen about 6 months previously and damaged some bones. He was checked on by a friend who determined quite rightly, that he was in trouble. Between my Sister and my oldest brother, John, and their friends that were still living in Ireland, helped get him situated in a new place.
In the meantime, he had been hospitalized and then sent to ‘Our Lady’s Manor’ which is a care home administered by an order of nuns. This is literally moments after I saw him for the first time in 3 years. I was gutted when I saw him, so physically diminished, yet bright and coherent despite the crumbling infrastructure.

Dublin,. My oldest brother, John, dealing with immediate arrangements for Dad, a Taxi, and his job back in the UK.

Waiting by the elevator at Our lady’s Manor care home. My thoughts during this time were to apply the same psychology through my camera that would help determine the best images to get in the moment. As I was looking at my father, I could see his demeanour, indicating that he wasn’t really sure about what was going on in that moment. The following image carries on this psychology and is manifested on my brother, as he amply reflects my own thoughts in that moment.

Waiting by the elevator at Our lady’s Manor care home. My thoughts during this time were to apply the same psychology through my camera that would help determine the best images to get in the moment. As I was looking at my father, my brother, John, came to my focus attention. This is hard for all of us.

Dublin,. In the tiny elevator at Our lady’s Manor care home.
It became clear that it was very difficult for me to figure out which emotion was calling me the most. I made the picture to solidify the moment.

I remember my dad talking about a film that he said was profound; “Being There” with Peter Sellers. The sentiment of this film is reflected in these images.

Dublin,. This is my brother, John, saying goodbye for now to our dad. Me giving him that hug, would look just the same as this, and it would be the following day. The last time I would talk with him.

Dublin,. A view, one that I’d seen many times before, but from another point.
My father spilt most of his life into this area, everyone knew him, he was a hand, act or part in this area for 88 years.

I remember my dad talking about a film that he said was profound; “Being There” with Peter Sellers. The sentiment of this film is reflected in these images.

I have vague memories of being a child holding his big warm hand, and he would turn back to me like this, and say something.

Dublin,. I literally got off the plane got in a taxi and came straight out to see him at the Manor. The trip back to my friend’s house where I was staying, was a real-time tableaux of images from the window of the train, segments of my past life in Ireland, chunks of memory, good and bad times, little vignettes of thought and memory synchronized and dispatched with the rhythm of the tracks.

Dublin,. A view, one that I’d seen many times before, but from another point.
My father spilt most of his life into this area, everyone knew him, he was a hand, act or part in this area for 88 years.

Dublin,. A view, one that I’d seen many times before, but from another point.
My father spilt most of his life into this area, everyone knew him, he was a hand, act or part in this area for 88 years.

I remember once my dad talking about a film that he said was profound; “Being There” with Peter Sellers. The sentiment of this film is reflected in these images.

The last look.
I had a deadline, my part in a charade. I got one day with my father.
The window frame tells me that I have no control, I include it in the frame, to convey a sense of constraint. Other things going on outside the window, are reinforcements on this concept.