Final Call for Images.

This week and the last ten days, has been completely mind blowing and intense.
In January I heard that a magnum photographer was coming to town to do a masterclass ‘Finding your vision’. Im sure that means different things to different people, but for me, its a chance to soak up some much needed impartial and respected advice regarding how to edit a large body of work, and from there hopefully be capable of seeing differently when it comes time behind the camera. I want either to learn how to see differently or verification that the way i see, and how I see based on all the variables of my lifes influences come together to make my mind work the way it does, function while moving forward with a camera.
I spent the last 3 months reading books about how to understand photography and its functionality and its place and a lot of art theory comes into that. Im trying to educate myself academically in something that I have only ever had a practical knowledge of previously.
Tha last week was going through 15,871 images I made in the 6 months I was in India. Literally every waking hour, I was sifting through the entirety of that event. In 7 days I relived my time in India. Literally.
The aim was to come up with 120 images of which a small number will emerge as being the best. What best means, I am yet to learn.

Amazing Environmental Audio from Maha Kumbh Mela

I’ve been back from India just over a year now, back living in the US and in that time its been a real struggle, both on a personal level and financially.
Looking back on that time, a half-year spent in India, thinking about it and thinking about how much I miss it, and yearn for the Utopian chaos to run through my veins once more.
I have edited my photography over and over trying to extract the essence of the experience. However the personal journey that India was to me, has obscured my objectivity, something that only time can distill.
I have started once again on the editing process, going back over the audio recordings I made, and in doing so, had an epiphany about the work. I realize that I have no choice but to go back to India, and capture more audio, this time with an expanded kit. And to dedicate much more time and effort into making quality environmental recordings.
Audio recordings offer a taste of reality that video and photography simply cannot touch. Where video has to be constructed to make a compelling presentation, and photography provides specificity, and depth, that depth is within just that contextual intimacy.
Audio offers a living reality of time based exploration. Audio treats the consciousness to a wide layered mental vision, one that the mind is intrinsically connected to, there is no learning to listen, whereas there is learning to read photographs.

This Location Sound during the Anup Jalota concert at Pilot Baba’s Ashram camp 2013 Maha Kumbh Mela, Sangam Allahabad, Uttar Pradesh India. I had decided to walk around the sector 9 area where the ashram was located, about 7 miles from the actual main bathing area.
You can hear all of the local sounds, and the far distant sounds of the millions (130,000,000 to be more accurate) of pilgrims who existed at the ‘city’. Headphones highly recommended. Sit back and enjoy the Mela as I did for thirteen minutes.

Night Train Approaching from distance Canacona Goa India

Canacona, Goa, India. 1.30am Im staying at a low rent guesthouse at a blind corner on Chaudi-Talpona road which traces the Chaudi river at this point. It is moment away from Monsoon so the water is almost at street level on one side and an embankment on the other. Right at this blind corner there is a single track concrete rail bridge which carries both freight and passenger trails through at a regularity of about 30 minutes during the day and 45-60 minutes at night. Just beyond the blind corner is an egg-shell Blue two story hastily erected building and a family home nestled beside it. The rail bridge traverses 8 meters from the house and then is swallowed up in foliage on the embankment.
My room is on the ground floor front and center to the lot, it is North facing. It is off season, extremely humid (95%), and extremely hot (45c) despite being on the coast. The area is lush tropical and very quiet.
At night it is almost completely silent, with exception to distant sounds from neighbouring homes and the Hindu and Catholic places of worship (at 3’26” you can hear the chime of a gong or bell).
The trains are traveling in from the north, from Bombay, at night they are mostly freight. You can hear the sound funnel down the rail-track clearing in the dense jungle, it is amplified and you can pick out the pitch changes in the engine as it grunts its way in.
Warning: this track goes from subtle to extremely loud and then very quiet.
Recorded using a Roland R-26, Binaural microphones and a Sennheiser MKH 416 shotgun directional microphone, mixed-down and rendered using Audacity. There is some slight clipping at the high peak, as I simply set the best levels I could based on guesswork before making the recording.
Thanks and enjoy.
20130430.IND.GOA.JO©.012647 1+2

2013.05.30 BOMBAY

Bombay, not Mumbai. I prefer it, and the Bombers themselves call it Bombay anyway.

Its as hot as Goa was, but the humidity levels are off the charts. What I thought was humid in Goa was just for starters. Here its totally and completely insane. It takes 20 minutes to sweat out a liter of water. I go nowhere without a 2L bottle of Bisleri. Bisleri is the nice brand of water in India. Its an Indian company started by a French couple who came here some time ago and scoffed at the lack of good clean drinking water in bottles. Since then of course, there are others. Bailey, which is harder to find, but equally as good and the same price. 1L bottles are about 15 rupees, 2L bottles are 25 rupees, depending of course if you ask the price, because most street vendors will try and hoodwink you and make you pay more even thought he price is moderately unclearly marked on the bottles themselves. The Batch Number, date and Price “(inclusive of all taxes)”. But I still like to ask because I like to see the honesty levels of the vendors. Most outside of Goa and so far Bombay, are not honest and some, even when you show them the price will argue the price with you. Old school values; haggle. Theres no haggling in America. We are soft now, lazy, the price is the price. I still like to ask for a deal when I have to go to the Apple store just to fuck with the doe-eyed whizz-kid clerks. Who cares if Steve Jobs had $750,000,000,000 in the bank before he stepped out, he shouldn’t have had that much money anyway, he should have by virtue of the fact that he travelled India himself, known that that money would have been better off in the hands of those who know what to do with it to make their days a little brighter. Like those tribal families out there on the street in front of the hostel Im currently in. They are rolling with the rats, and their children are playing cricket and badminton amongst the traffic “OUT”! I saw that, that was out! Ballard market, haha what a fucking Joke, ‘fixed prices’ total and complete bullshit.
Oh look at that Im sweating as I’m shitting here in relative comfort of porcelain three floors above you, and the little brown children with blue string around their waists are dropping their payloads into cracks in the pavement. Their shit is cleaner then yours though -and you fucking better believe it.

 

Colourful sojourn into celebration..

Seattle Gay Pride 2013
Selections from Seattle Gay Pride 2013

Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai Mumbai

Just a reminder..

To anyone who has in their possession any of my images, video or sound recordings, that I have not given anyone any permission or license to use any of my images, and no such permission or license shall be implied by their possession of digital or otherwise electronic analog or physical copies of any of my images, video, sound recordings, and that I trust none of my images will be incorporated into any work, and that my policy is to aggressively defend my copyrights to the full extent of the law.

If you do have copies of my images, video or sound recordings and want to use them for any reason, you must contact me before hand without exception.