Sometimes I just dont have other places to put my work, but the work continues regardless.
I love and respect all of the people I photograph on the streets. I see you, and I see you in the fragmented moments when you are off guard, unaware, and existing in the space between consciousness and biology.
To my heroes, my street loves; my respect, always.
I’ve lived in Seattle since November 25th 2004, and in that time I have seen some slow changes, lost touch with a lot of people who moved on, disappeared left town etc. It’s really not until 2013 that the physical changes happened in the city that I could start to think I was living in a dynamic place.
I came to the US with an expectations of grandeur.
I was really surprised when I got to New York, Boston, Chicago, Detroit and DC and was hit in the face with the fact that these were aging cities, and the sense that the people living there, really didn’t have much actual control or say over anything that went on, because democracy got in the way. Id assumed the US was bright shiny and new.
As a European, I had always grown up with places that were maintained and there was a real sense of local pride and everyone was involved in it.
Over the years and traveling around, I’ve seen enough of it to tell me that this country is definitely a continent in decline. A place strangled by conservative values, and disregard for everything except money.
The US is definitely not a place I want to grow old in, and yet, I don’t know where else there is now that hasn’t adopted the same capitalistic values, and with that the utterly destructive nature of that which is held in high regard: individualism.
I’ve been shooting a lot more video recently, video street photography. Figuring it out. It’s a concept that I’ve had for a while and finally got a camera to do it. Purpose built for the job.
I’ve been using 24mm lenses now for about 5 years, always preferring 24mm because it was wide and yet not insane. However today, I took with me two new lenses that I hadn’t used yet, and started the day on the 24 as usual, and saw something that I hung around a bit for, but it wasnt working so I moved on and found something else, and it didn’t work so I moved on again then went and had a cuppa coffee. During coffee I decided it might be a good idea to change to the new 35mm and see how it is. I put it on, went back out to the first spot that didn’t work and looked through the camera and thought what the fuck was I missing earlier? So I put the 24mm back on and there it was, a realization that I can actually see better with 35mm, I can see without having to look through the camera despite “knowing” 24mm and knowing what the image will be like before pressing the button.
These are all good Zeiss optics so the lens quality isn’t an issue. In fact that 24mm is, as 24mm lenses go pretty off the charts as it were.
Anyway, tomorrow I’ll be back on the streets with just the 35mm. Alex Webb told me that he likes how a 35mm lens ‘recedes’ and after this, I have to agree.
The fleeting moments that spin into the corner of my eye in the white noise of town, to make them last, to stall the rush from now to then and seek the future.
Her tattoo says DREAM on her fingers constellations. Her bag is from a record store in Boston. Her face from another time, elegant and graceful, a gasp at the end.
See it here http://vimeo.com/devtank/dreamrunner